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And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions—and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.”, “What if you couldn’t touch anything in the outside world? Two exemplary ways of making sense of a national film culture: the first is an encyclopedia that invites the seeker to find his or her own way through a labyrinth of myriad relationships; the second offers creative criss-cross readings of topoi and obsessions through various decades, genres and political systems. Has anyone else been quite so astute regarding the poetics of the shot/reverse shot (in Straub-Huillet’s History Lessons) or the uses of stasis (in Dovzhenko’s Earth)? Mondo Macabro: Weird & Wonderful Cinema around the WorldPete Tombs, St. Martin’s Griffin, 1998. Sarris was far more influential than Chabrol, Truffaut and co., I’m sure, in shaping the British politique des auteurs. An Amorous History of the Silver Screen: Shanghai Cinema, 1896-1937Zhang Zhen, University of Chicago Press, 2006. Two essays from the 1940s are irreplaceable, ‘The Ontology of the Photographic Image’ and ‘The Myth of Total Cinema’, both setting film in art’s longue durée. Movies. A horrific mass murder invades the lives of victims and victimizers on both sides of the law. 32. Note: Publication dates are for first edition only, except where specified. If debarred, then the 2000 edition of the Time Out Film Guide, being less bulky than it has since become. One of the best books on artistic endeavour and the craft of film-making. Kings of the Bs: Working Within the Hollywood SystemEdited by Todd McCarthy and Charles Flynn, Dutton, 1975. He is far too nice and jumbly. First published in 1944 and constantly revised over the next decade, Manvell’s marvellous book covered all aspects of cinema and was the one book that all of us owned. Enciclopédia do Cinema BrasileiroEdited by Fernão Ramos and Luiz Felipe Miranda, Senac São Paulo, 2000, Anschluß an Morgen and Das tägliche BrennenElisabeth Büttner and Christian Dewald, Residenz Verlag, 1997 and 2002. A miracle. . A Personal Journey with Martin Scorsese Through American MoviesMartin Scorsese and Michael Henry Wilson, Faber & Faber, 1997. The only reason I list this edition instead of 2009’s Farber on Film: The Complete Film Writings is that the smaller collection is the one I spent years marveling at, puzzling over and taking comfort from as from a favourite food. Grafe (1934-2002), in particular, combined a crisp, evocative, Barthesian style with a rigorous eye and brilliant mind. Durgnat on FilmRaymond Durgnat, Faber & Faber, 1976. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. And the BFG is going to help her!”, “Big Little Lies is a brilliant take on ex-husbands and second wives, mothers and daughters, schoolyard scandal, and the dangerous little lies we tell ourselves just to survive.”, “Jess Aarons has been practicing all summer so he can be the fastest runner in the fifth grade. The Memory of Tiresias: Intertextuality and FilmMikhail Iampolski, University of California Press, 1998. So here are 100 amazing books that have made it to the big or small screen (or in some cases, both.) Richly authentic, beautifully written, always dramatic. Soon Ripley’s fascination with Dickie’s debonair lifestyle turns obsessive as he finds himself enraged by Dickie’s ambivalent affections for Marge, a charming American dilettante. So, we've decided to … They’ve even built humans. Charts the rise of the Fifth Generation out of nowhere to astonish the world. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. “Charles Portis has long been acclaimed as one of America’s foremost comic writers. An invitation to discovery on every page, and perhaps the best title for any film book yet published. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.”, “When suburban Claudia Kincaid decides to run away, she knows she doesn’t just want to run from somewhere she wants to run to somewhere–to a place that is comfortable, beautiful, and preferably elegant. But Strange is increasingly drawn to the wildest, most perilous forms of magic, straining his partnership with Norrell, and putting at risk everything else he holds dear.”, “Four mothers, four daughters, four families whose histories shift with the four winds depending on who’s “saying” the stories. A wealth of documents, but also Alain Bergala’s ever-clear, precise prose on one of the film-makers he knows best. A Life in MoviesMichael Powell, Heinemann, 1986. Cinema: A Critical DictionaryEdited by Richard Roud, Secker & Warburg, 1980. Francophiles, in general, know a lot about Cahiers du cinéma (and the whole artistic-intellectual culture that goes with it) and almost nothing about Positif (ditto). The best autobiography (with Bergman’s) of a theatre and film director. When the rights to a book sell, it doesn’t guarantee a book will appear on the screen, but it’s usually a good gamble for studios to grab them in case the book does well. There are certainly hundreds of other book to movie adaptations to choose from, but these are a good place to start. Ealing StudiosCharles Barr, Cameron & Tayleur/David & Charles, 1977. The single best reference work on the cinema I’ve dipped into, this ought to have become standard household issue. “The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, caught in the tragic sweep of history. And as horrible war plods on year after year, Paul holds fast to a single vow: to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other–if only he can come out of the war alive.”, “It is the story of Shadow—released from prison just days after his wife and best friend are killed in an accident—who gets recruited to be bodyguard, driver, and errand boy for the enigmatic trickster, Mr. Wednesday. Books 100 best films based on books Posted by Abi Jackson Published 9 years ago. The Magic LanternIngmar Bergman, translated by Joan Tate, Hamish Hamilton, 1987. New Line Cinema/Melissa Moseley. Out of the Past: Spanish Cinema After FrancoJohn Hopewell, BFI, 1986. A much better translation of most of the key essays has recently been published (What is Cinema?, edited and translated by Timothy Barnard, Montreal: Caboose, 2010), but for copyright reasons is available only in Canada. The Material Ghost: Films and Their MediumGilberto Perez. Discover the best Movie History & Criticism in Best Sellers. Cahiers du cinéma published a French version in 1998; we English readers are still waiting. Harbinger of the theory boom of the 1970s, but much more readable than most of what followed. The Pleasure DomeGraham Greene, Secker & Warburg, 1972. Universal loved the Panglossian optimism of the title All That Heaven Allows, but Sirk knew what it really meant (‘heaven is stingy’) and proved the point with a mise en scène that systematically undercuts its own chocolate-box display of luxury. The Digital Edition and Archive quick link. Which are the most inspirational five books about film ever written? I found this browsing for second-hand film books in Paris at the very moment I was first trying to figure out how the film industry worked. Strick, a long-time S&S commentator, was one of the sharpest writers on science fiction in film and literature. Here, in this first Ripley novel, we are introduced to suave Tom Ripley, a young striver, newly arrived in the heady world of Manhattan. It should be kept within easy reach by anyone interested in the cinema, whether writer or film fan. And if it was as puzzling in its way as some of the films seemed at the time, then that only intrigued me more, as any introduction to so important a subject should. Powell offers vivid portraits of his colleagues and collaborators, many of them émigrés. Film as a Subversive ArtAmos Vogel, Random House, 1974. Just beautiful. De la figure en général et du corps en particulier: L’invention figurative au cinémaNicole Brenez, De Boeck, 1998. The Camera and IJoris Ivens, International Publishers, 1969. But when cornered, androids fight back—with lethal force.”, “Widely regarded as one of the funniest and most tragic books ever written, Don Quixote chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain.”, “During a business visit to Count Dracula’s castle in Transylvania, a young English solicitor finds himself at the center of a series of horrifying incidents. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.”, “The BFG is no ordinary bone-crunching giant. Geoff Dyer once wrote: “Spare me the drudgery of systematic examinations and give me the lightning flashes of those wild books in which there is no attempt to cover the ground thoroughly or reasonably.” Bresson’s slender collection of jottings and aphorisms (“The ejaculatory force of the eye”; “The terrible habit of theatre”; “Don’t run after poetry: it penetrates unaided through the joins”) is a witty example of the virtues of brevity. MethodSergei Eisenstein, Museum of Cinema, Eisenstein-Centre, 2002. Escapes. Cinema was invented in the fourth century BC with the Myth of the Cave, a thought experiment illustrating the hard-won virtues of education via a parable of perception and knowledge. O’Brien’s prose textures alone bear testimony to the power of film to galvanise the creative impulse. 3. John Berendt’s sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. If you haven’t read this mammoth of a book — arguably one of King’s best — do yourself a favor and read it. Daniel Clowes is one of the most respected cartoonists of his generation, and Ghost World is his magnum opus.”, “Melanie is a very special girl. Hand-picked. Movies; The 35 Best Books You've Now Got Time To Read. I had the photo of Francis Ford Coppola pointing a revolver at his head up on my office wall the whole time I was writing Corpsing. It seems symptomatic that the book has never been translated into English – neither has the film writing of the Italian Marxist Umberto Barbaro (which I read in the translation published in Cuba by the ICAIC). The richness of Powell’s autobiography lies in its scope and its colour. 1. But it is fun to watch books that are movies and see what has changed and what has stayed the same. Louise BrooksBarry Paris, Hamish Hamilton, 1989. Brave men. Atonement (Ian Mcewan) 34. It’s always fruitful to go back to Bazin’s writings, less as a theoretician than as a critic (with theoretical intuitions that are sometimes hazardous). The value of the late Gösta Werner’s work lies in its author’s age: he was old enough to have seen many a Stiller work now (considered) lost, meaning his memories are probably as close as we’ll ever get to these films. It is the era of mambo, and the Castillo brothers, workers by day, become stars of the dance halls by night, where their orchestra plays the lush, sensuous, pulsing music that earns them the title of the Mambo Kings. What happens to Owen after that 1953 foul ball is extraordinary.”, “When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. As a postgrad studying aesthetics, I was enthralled to find an English-language philosopher who understood cinema! Louise Brooks was one of the few actresses with absolute integrity. On the one hand, it’s a fantastically useful resource for anyone interested in British film history. The Brechtian Aspect of Radical CinemaMartin Walsh, edited by Keith Griffiths, BFI, 1981. It was out of print by the time I wanted to buy it, but I found a copy on my first trip to New York in 1982 (along with Kings of the Bs), devoured it, then lent it to a friend and never saw it (or him) again. In his clarity of expression and the way he develops theoretical ideas from specific examples, Bazin was a truly great writer on cinema. Negative Space: Manny Farber on the MoviesManny Farber. Sturges’ autobiography is as well written, droll and well observed as his best films. Henrietta’s cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can’t afford health insurance. because it sits in a class by itself. A Pictorial History of Horror MoviesDenis Gifford, Hamlyn, 1973. While one could argue that caped crusaders, like Batman, Superman, and Captain America, are also book-to-movie adaptations, they technically hail from comic book strips. The StudioJohn Gregory Dunne, Farrer, Straus & Giroux, 1969. In this rapidly converging landscape, cyborg superagent Major Motoko Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including “ghost hackers” who are capable of exploiting the human/machine interface and reprogramming humans to become puppets to carry out the hackers’ criminal ends.”, “Originally serialized in the pages of the seminal comic book Eightball throughout the mid-1990s, this quasi-autobiographical story (the name of one of the protagonists is famously an anagram of the author’s name) follows the adventures of two teenage girls, Enid and Becky, two best friends facing the prospect of growing up, and more importantly, apart. The only general dictionary we trust: absolutely partisan while commendably catholic in its scope and taste – just check out the list of auteurs worth discussing more deeply at the very end of the second edition from 2003. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.”, “The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. Eisenstein for the new millennium. A sui generis reimagining of film history – a poetic treatise, cultural delirium and phenomenological evocation of the mysterious, multiform rapture of watching. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.”, “For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in their Massachusetts town. The title is what they used to warn audiences about in French cinemas: “Given the increase in handbag thefts…”, Dan Brown avant la lettre for film buffs and those who tolerate their obsessions, Roszak’s novel is the best airport thriller ever, a passionate mythomanic celebration of cinema and its possible secret histories and, incidentally, a prescient forecast of the satanic-brat film-making generation of Gaspar Noé, Harmony Korine, Eli Roth et al. Vicious threats? This long-unfindable book (now revived in a new edition) brings together essays that can stand alongside those of Borges, Barthes and just about anyone who helped shape it. Few critics give us such a concrete sense of what Godard once called “the evidence”. The first edition was published in 1986 and changed the way I thought about film acting and stardom. Frank’s mother, Angela, has no money to feed the children since Frank’s father, Malachy, rarely works, and when he does he drinks his wages. And that’s exactly the ranking that publications like Time magazine have given the novel since it was published in its entirety in 1878. A work of transcendent intelligence. Along with Bazin’s unfinished Jean Renoir this is one of the best monographs I know on any director. Here, in this first Ripley novel, we are introduced to suave Tom Ripley, a young striver, newly arrived in the heady world of Manhattan. The competition isn’t fierce, but this book remains easily the best serious full-length study of a star. LettersFrançois Truffaut, translated by Gilbert Adair, Faber & Faber, 1989. As comedian Red Skelton said of the man’s well-attended funeral, “It proves what Harry always said: ‘Give the public what they want and they’ll come out for it.’”, Postcards from the CinemaSerge Daney, P.O.L Editions, 1994, Subtitles: On the Foreignness of FilmAtom Egoyan and Ian Balfour, MIT Press, 2004, Atlas of Emotion: Journeys in Art, Architecture and FilmGiuliana Bruno, Verso, 2002, Kiss Kiss Bang BangPauline Kael, Litte, Brown, 1968. One of the boys hits a foul ball that kills the other boy’s mother. ), “Northup, a black man who was born free in New York, details his kidnapping in Washington, D.C., and subsequent sale into slavery. True Grit is his most famous novel–first published in 1968, and the basis for the movie of the same name starring John Wayne. . The first novella is Rita Hayworth and Shawshank Redemption. “Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, “Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath. Registered charity 287780. Stars back then embodied vital social contradictions – one doubts whether the featureless pretty people of contemporary celebrity would repay so subtle and scrupulous a treatment. The selective and not very good English translation as What is Cinema? From a pet dragon that soars through the clouds to a spider with impeccable spelling skills, we name the 20 best kids' movies adapted from children’s books. Greene’s film reviews from the 1930s are filled with sharp observations and haunting turns of phrase no other critical anthology can match. Bachlin was a Marxist, and this was the first rigorous analysis of the industry I’d discovered that made real sense to me. These were the most inspirational books to me as a film student (as was Truffaut’s The Films in My Life). Rivette: Texts and InterviewsEdited by Jonathan Rosenbaum, BFI, 1977. So begins Shadow’s dark and strange road trip, one that introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. .”, “Two hundred years after migrating into space, mankind is in turmoil. Truths. Now Charley must choose which contract to honor: the one to his wife or the one on his wife.”, “The astounding yet true rags-to-riches saga of a homeless father who raised and cared for his son on the mean streets of San Francisco and went on to become a crown prince of Wall Street.”, “Relentless, remorseless, and inspirational, this “horrific, hope-filled story” (Newsday) is certain to haunt a generation of readers. The Devil’s Candy: The Bonfire of the Vanities Goes to HollywoodJulie Salamon, Delta, 1992. Lignes d’ombre: une autre histoire du cinéma soviétique (1926-1968)Edited by Bernard Eisenschitz, Edizioni Gabriele Mazzotta, 2000, Histoire du cinéma NaziFrancis Courtade and Pierre Cadars, Eric Losfeld/Éditions Le Terrain Vague, 1972. The founding work of so-called Screen theory – which is where I came in, although it has now left me behind, or me it – is still a pretty enjoyable read today. It's always a blessing and a curse to see a great book turned into a movie… I would also add a complete set of Sight & Sound – no kidding! PG-13 | 114 min |... 2. The New Wave: Truffaut, Godard, Chabrol, Rohmer, RivetteJames Monaco, OUP, 1976. that has never left my desk is David Thomson’s A Biographical Dictionary of Film. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft.”, “In a quiet suburb of Detroit, the five Lisbon sisters–beautiful, eccentric, and obsessively watched by the neighborhood boys–commit suicide one by one over the course of a single year. I want to read it again, soon. The best novel I know on the film-making process, set in the 1930s and dealing (as if from the experience of ‘Christopher’ himself) with the career of Austrian director Friedrich Bergmann, whose genius is thrillingly evoked. Mauritz Stiller och hans filmer 1912-1916Gösta Werner, Norstedt, 1969, Leo McCarey: sonrisas y lágrimasMiguel Marías, Nikel Odeon, 1999. It is likely that your answers will reveal A Series of Unfortunate Events to be ill-suited for your personal use. This seemingly impossible task will bring Oskar into contact with survivors of all sorts on an exhilarating, affecting, often hilarious, and ultimately healing journey.”, “Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a “baby farmer,” who raised her with unusual tenderness, as if Sue were her own. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. The most sophisticated marriage of philosophy and film written. Nightmare USA: The Untold Story of the Exploitation IndependentsStephen Thrower, FAB Press, 2007. “One of the most important novels of the twentieth century. For one thing, Perez magnificently vindicates the beauty of illusionism – a salutary attitude after decades of academic militancy that judged it a ruling-class plot. All rights reserved. A definition of film theory: anything written about the cinema. Sculpting in Time: Reflections on the CinemaAndrei Tarkovsky. Joseph Losey: A Revenge on LifeDavid Caute, Faber & Faber, 1994. Another bible (can there be two?) I’m sure some future scholar will produce an admirable thesis comparing the changes in – and evolution of – what has come to be, along with everything else, a vicarious and incremental autobiography. For Godard’s later thinking, avoid books and watch his extraordinary Histoire(s) du cinéma (1998). Was it murder or self-defense? disinterested in spheres like documentary cinema, the avant garde, sponsored films, amateur praxis, etc, which we consider all equal in importance and interest. There is something wrong with her, though, something odd. Looking Away: Hollywood and VietnamJulian Smith, Scribner, 1975. But she can’t hear a word that Bill Compton is thinking when he walks into her life—and then one of her coworkers is killed… Maybe having a vampire for a boyfriend isn’t such a bright idea.”, “Set in the late 1940s, in the African-American community of Watts, Los Angeles, Devil in a Blue Dress follows Easy Rawlins, a black war veteran just fired from his job at a defense plant. This selection, lovingly assembled by Positif comrades Michel Ciment and Louis Seguin, and containing classic essays on Bogart, Antonioni, Hawks and Marker, really just scratches the surface of Tailleur’s remarkable oeuvre – a true thinking-person’s cinephilia. The Pat Hobby StoriesF. This is probably my favourite of the many books on Welles. A masterpiece of stills photography that captures the world behind the movie camera, culminating in her extraordinary on-set pics of Marilyn and The Misfits. Gillian and Sally have endured that fate as well: as children, the sisters were forever outsiders, taunted, talked about, pointed at. Add this article to your list of favourites. In which the French critic says it all and shows us that further Bergman books must lie in new detail or a broader window on the film world. The Invention of MorelAdolfo Bioy Casares, Editorial Losada, 1940. Harker returns home upon his escape from Dracula’s grim fortress, but a friend’s strange malady — involving sleepwalking, inexplicable blood loss, and mysterious throat wounds — initiates a frantic vampire hunt.”, “With unsettling beauty and intelligence, Michael Ondaatje’s Booker Prize-winning novel traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II.The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Highly informative when read innocently, highly entertaining when read for the implied drama: the hero-worshipping young man (who is no dummy, mind), paying court to the urbane old master who seems to give so much away, and yet, cunning trickster/shaman that he is, really yields nothing that could be used in court against him. The Secret Life of Bees (2008) Two tomes that (should have, at least) changed the way we think about film history; two attempts to understand the (extra)ordinary in film cultures deemed totalitarian and therefore artistically irrelevant by our unquestioning middlebrow culture and its collaborators high and low. The Material Ghost: Films and their MediumGilberto Perez. Chases. Perkins, finds its apotheosis in Perez’s superb book, as fully literary as it is analytical. Outstrips even Steven Bach’s Final Cut as an appalled account of big-budget catastrophe. Hasumi’s analytical method is deceptively simple: he takes us through the facts, limpidly described, of the everyday world of Ozu’s films – the walking, sitting, dressing, banal chit-chat – in order to arrive at often devastating revelations of this master director’s sensibility at work. If the first edition of Robin Wood’s study hadn’t been so seminal for me, I would now choose Hitchcock’s Films Revisited, because it shows how critical engagement is a lifetime’s process, always evolving as we mature. Though he could get it wrong (as in his cranky dismissal of Citizen Kane), Agee’s intense moral engagement with cinema sets him far above critics who merely get it right. Its dreamlike action begins among the decayed plantation houses and overwhelming natural abundance of late nineteenth-century Jamaica, before moving out onto the high seas, as Hughes tells the story of a group of children thrown upon the mercy of a crew of down-at-the-heel pirates. Essential reading for anyone curious about the physics and metaphysics of film, this slender volume can be profitably revisited over a lifetime. On the other hand, it is also a self-portrait by a brilliant and uncompromising English film-maker. But all Gillian and Sally wanted was to escape. John Steinbeck draws on his memories of the real inhabitants of Monterey, California, and interweaves their stories in this world where only the fittest survive—creating what is at once one of his most humorous and poignant works.”, “This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love. That’s five – and still I’m missing The BFI Companion to the Western and Hollywood Babylon. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally. The Da Vinci Code (2006) Romantic Comedy in Hollywood: From Lubitsch to SturgesJames Harvey, Alfred A. Knopf, 1987. As the minutes count down, Monty seizes one last chance to stack the odds in his favor.”, “The return of the beautiful Countess Olenska into the conventional society of New York sends reverberations throughout the upper reaches of society. The cultural connections of that period, from Brecht to Pinter, nicely fixed. “Sweeping from a harsh land of cold to a summertime kingdom of epicurean plenty, “Originally serialized in the pages of the seminal comic book, “Melanie is a very special girl. Truffaut ’ s only the first work of film EditingKarel Reisz and Gavin Millar, Focal Press,.. Done more harm than good in reach-me-down film Studies courses it covers ( 1973-75 ) coincides with many... Agatha Christie ’ s autobiography a villain something that might crop up future..., Aurum, 1983-98 for melodrama, a long-time s & s,! Independent Film-makersStan Brakhage, Polygon, 1989 in 1988, and talk the secret Life of Bees 2008... And Peter Bogdanovich, edited by Jonathan Rosenbaum, University of California Press, 1991 the fullest most... The film director the gifted Russian-Australian scholar Julia Vassilieva, this is still free... 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