panasonic lumix g9 review

04 dez panasonic lumix g9 review

The design and position of controls is always a highly personal thing: I found the newly positioned rear wheel fell more comfortably below my thumb, but felt the AF joystick – like the GH5 – involved a bit of a stretch. While the G9 is Panasonic’s ultimate stills camera, it’s no slouch for video, sporting 4k at up to 60p, 1080 at 180fps, relay-recording by swapping SD cards, and 4:2:0 / 8 bit internal recording. So the G9 really can capture action at fast speeds with a high hit rate – it’s just that the fluttering display while you’re shooting looks slightly unfamiliar compared to more traditional solutions. Thank you for signing up to TechRadar. The Panasonic Lumix G9 is the flagship model designed for photographers that need the highest quality and speed possible. Lumix G9 burst sequence: SH speed, electronic shutter, 20fps, Leica 200mm at f2.8. Normally my reactions are too slow to capture the moment the bird first starts flapping its wings, but with Pre Burst I can push the shutter release and know I’ve recorded the previous second’s worth – enough for several decisive moments. Under the exposure mode dial is a dedicated collar to switch between the various drive modes: single, burst shot 1 and burst shot 2 (both configurable in the menus), 6K Photo, Post Focus, Self Timer and Interval Timer. The Panasonic LUMIX G9 mirrorless camera was built for the modern professional photographer. Here’s an example of the maximum blurring you can expect at 60mm f4. Or if you’ve seen enough, skip straight to my verdict! This works by combining eight images that have been taken in rapid succession, with small sensor shifts between each one, which means that, unlike with some rival systems, a tripod is a must when using this mode. During playback you can view thumbnails of stills and videos. But in the right situations it can provide invaluable and remains a very useful tool to have at your disposal. There's both Wi-Fi and Bluetooth Low Energy connectivity, with the latter enabling a constant connection to your smartphone with minimum power consumption. This is great for capturing the moment someone strikes a ball or a bird takes off. The Lumix G9 takes things a step further with a class-leading 6.5-stop IS system. It features a 20.3MP CMOS sensor, in-body image stabilization capable of up to 6.5 stops of shake reduction and … There’s a wealth of graphics you can overlay and customize, including a histogram, choice of grids, leveling gauge, and adjustable guide lines. All are limited to 50 frames per burst, but these can still include RAW files if desired. There's an … The highest selectable frame rate for 1080 video with audio recorded is 60p, but if you enable High Speed Video, you can record silently at 150 or 180p, which the camera interprets to 30p for playback five or six times slower. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals! In terms of composition you have the choice of a very large and detailed electronic viewfinder or a fully-articulated 3in touchscreen. This lets you adjust the white balance, brightness correction, Photo Style, i-Dynamic, contrast, highlight, shadow, saturation, noise reduction, i-Resolution and sharpness, along with the colour space and image resolution. You’ll hear the stabilisation whirring faintly in the background at all times. Panasonic Lumix G9… The electronic shutter does however unlock the G9’s fastest burst speeds that I’ll discuss later in this section. Focus remains contrast-based only, but Panasonic’s Advanced DFD system works down to -4EV and now calculates at 480fps, offers four custom presets and, with a 0.04 second response, claims to be faster than the GH5 not to mention several rivals with PDAF. Above: Lumix G9 6K Post Focus: tapped on right side of frame, Above: Lumix G9 6K Post Focus: tapped on left side of frame. Interestingly in my Single AF tests, the G9 consistently delivered 10.4fps using the mechanical shutter, falling a little shy of the quoted 12fps in the specs. That said, scene detection is deployed behind the scenes by Intelligent Auto to recognise and adapt for different conditions and subjects. It’s important to note most stabilisation tests, including my own, are subject to a degree of experimental error and inconsistency, so I can’t say Dual IS isn’t as good as the body-based system working alone. Excellent image quality, 60fps shooting, polished handling and a wealth of advanced features add up to make the Lumix G9 a brilliant all-round mirrorless camera and Panasonic's best mirrorless camera to date. Above: Leica 12-60mm at 60mm (120mm equivalent) and 1/8. Both 100% crops. 6K Photo, first seen on the GH5, takes the earlier 4K Photo concept to the next step in resolution. Note the speed however remained exactly the same. When I switched to the electronic shutter with continuous AF, I generally managed between 16 and 20fps in practice. The Panasonic G9 ships either body only, with the Panasonic 12-60mm f3.5-5.6 lens, or with the excellent Leica 12-60mm f/2.8-4.0 lens that we predominantly reviewed it with. As such, there’s three options for 6K Photo: Burst (which records video while the shutter button is pressed), Burst S / S (which starts recording with one press and stops with another), and Pre-burst (which keeps a one-second rolling buffer to avoid unwieldy clips to store and go through). To illustrate it in practice I attempted to generate a version of the composition above with the maximum depth of field from near to far. If the focus mode is set to continuous, both SH1 PRE and SH2 PRE operate at the same speed of 20fps. The Panasonic Lumix DC-G9 and the Panasonic Lumix DC-S5 are two enthusiast cameras that were revealed to the public, respectively, in November 2017 and September 2020. This is only one small part of my results and overall verdict though! by Mike Tomkins, William Brawley, Jeremy Gray, Jaron Schneider and Zig Weidelich Preview Posted: 11/08/2017 Last updated: 10/19/2018 Updates: 11/08/2017: Hands-on First Impressions 12/08/2017: First Shots with production-level firmware 12/19/2017: Performance page posted 01/24/2018: Field Test Part I posted 02/15/2018: Field Test Part II posted 02/23/2018: Field Test Part III posted 06/29/2018: Video Features & Analy… I’m pleased to report the effective buffer size, frame rate and final write times remained essentially the same as using Slot-1. Angled view of the Panasonic DC-G9 camera with the Leica-branded 12-60mm f/2.8-4.0 ASPH. Capturing 6K footage for the purpose of higher resolution photos also gives the G9 a unique edge over rivals which have gradually begun to add basic image capture from 4K footage – although so far none have offered pre-burst or post-focus options on high resolution video footage. You’ll know when USB power is working as the G9 displays a plug icon next to the battery meter and also warns you it won’t be charging the battery while the camera’s switched on. Panasonic also cleverly uses the touchscreen to let you drag a live histogram around the screen to avoid getting in the way, or drag guidelines by handles to your preferred position, and there’s also the soft on-screen function keys mentioned above, exploited particularly well during the movie mode to make silent adjustments. I ended up using the Pre mode more often than not. Note the Image App needs to be left running if you’d like location tagging to work. As with all stabilised systems, you should half-press the shutter and wait a second or so for the compensation to attain its maximum effectiveness. If preferred you can use the cross-keys and centre button to navigate and select, but I’m pleased to report the touch interface works a treat and ended up being my preferred way of adjusting and selecting. In my tests both modes again captured action starting a quarter of a second before I fully pushed-down on the shutter, but in the case of SH2 PRE working at 60fps, this devoted more of the 50 frame buffer to the pre-moments. If you’re recording in JPEG only, the G9 unlocks its in-camera HDR option which captures three frames at 1, 2 or 3EV intervals before compositing them into a single file. Above right: Sunshine effect, Above left: Retro effect. The Lumix G9 inherits the 20 Megapixel Micro Four Thirds sensor of the GH5 that dispenses with the low pass filter for crisper results. But whatever is going on behind the scenes, the bottom line is the real-life resolution of 6K Photos is comfortably higher than those recorded in the 4K Photo modes, so represent a significant upgrade in quality. Take this first sequence of Ben, captured with the mechanical shutter at 9fps where of the 16 consecutive frames, all of them are sharp. I’m only talking an average of 84 frames versus 77 frames, but it did appear a consistent difference. But otherwise the Lumix Tether program is a useful addition to the package, especially for studio shooters. Beyond the improved resolution or frame rate, the modes are exactly the same as other recent Lumix G bodies. In terms of power the G9 is powered by the DMW-BLF19E, a beefy 1860mAh Lithium Ion pack that’s good for around 400 images under CIPA conditions but which can actually last a lot longer depending on how you’re shooting. If peaking or zebras are enabled on the camera, you’ll also see them in the live view too. Overall the wireless experience of the Lumix G9 is excellent with the Bluetooth in particular behaving exactly as you’d want it to: quietly and efficiently doing the hard work behind the scenes, leaving you to enjoy the remote access with your phone. Going forward I’d like to see the option of a higher resolution display, even if it incurs a slower refresh, as well as a Wifi option, again even if there’s an additional hit on performance. I repeated the tests with single and dual cards and while the total number of RAW frames varied by a couple, the total with one card was consistently a tad higher. The Lumix G9 is also about speed, boasting 20fps with continuous autofocus and a 50-frame RAW buffer using the electronic shutter or 60fps with single AF; switch to the mechanical shutter and you’ll get 9fps with continuous AF and a 60-frame RAW buffer or 12fps with single AF. That said, you can still shoot 4K video at up to 60fps – and that's Cinema 4K (4096 x 2160) too. With 2018 marking 10 years since Panasonic launched the world's first-ever mirrorless camera, could the Lumix G9 be the perfect way to celebrate? 6K Photo Pre-Burst. With two identical UHS-II cards fitted in the G9, I managed to capture 76 RAW frames in 7.26 seconds for a speed of 10.4fps. Next there’s Post Focus, selected using a separate mode on the drive dial, which again exploits the ability of 6K video to record 30 relatively high resolution images every second. In terms of autofocus, the G9 still employs a 100% contrast-based system, albeit powered by Panasonic’s latest Depth by Defocus (DFD) technology. Bracketing is available for exposure, aperture, focus and white balance. While that number is the same as on the GH5, the magnification has been bumped up from 0.76x to 0.83x (35mm equivalent), while the display runs at a smooth 120fps. Like 4K Photo, it captures a video clip with the intention to grab still photos from it later in playback, using an easy shuttling interface; the difference is where 4K Photo extracted 8 Megapixel JPEGs, 6K Photo can extract 18 Megapixel JPEGs which are much more useful. In each, the G9 takes the full width of the sensor and scales it down to the desired resolution without any cropping to the horizontal field-of-view. So back to Ben on his bike, again with the 200mm f2.8 at f2.8 but this time using SH1 (20fps) with continuous AF. The first step is to pair the camera with your phone over Bluetooth using the free Lumix Image App for iOS or Android handsets; I used my Samsung Galaxy S7. You can of course tap to reposition the AF area quickly and easily either for stills or to pull-focus in video. The Creative Movie mode gives you full control over the exposure, including manual adjustment of the aperture and shutter while you film with silent touch-screen controls, as well as Auto ISO in Manual too. Please refresh the page and try again. Both work well, although in a missed opportunity the actual exposure time so far isn’t shown on either the camera or phone’s screen, so you’ll need a separate clock or timer for precise measurements. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. Both the G9 and the S5 are mirrorless interchangeable lens cameras that are based on a Four Thirds (G9) and a full frame (S5) sensor. The initial process captures about two seconds of video while refocusing the lens, then takes a further three or four seconds to process it into an image you can navigate by touch. So Panasonic is ahead on frame rate, resolution and capture options. Small body with tilting EVF. Once paired over Bluetooth, the app remains in low-power contact with the camera, allowing it to pass location details and embed them on images with no effort or interaction; this can be enabled or disabled in the camera’s Bluetooth menus where you can also instruct the camera to take the time and date from the phone too which can be handy when travelling between different time zones. Note 1080 at 24p is not available on the G9, although you could of course record 4k 24p and down-convert it. So in my tests I’d have a burst of 50 images, five of which were from before I pushed the shutter fully-down. Switch the camera on with a USB source connected and you can externally power the camera from it too. The 5-stop in-body image stabilization (IS) system in the GH5 impressed, and the Lumix G9 takes things a step further with a class-leading 6.5-stop system. Here’s two examples where I tapped to choose to focus on two different areas after the event. Tilting touch LCD. I particularly liked the grip with its hooked inner ridge giving your fingertips some purchase – very reminiscent of Nikon ergonomics. The GH5S adds to this with a sensor optimized for lower light, Cinema 4k up to 60p, 1080 up to 240p, more anamorphic options, timecode in and out, and V-Log as standard. Note in the video I comment that the charger uses a Micro USB cable that’s different from the USB 3 port on the camera; I’ve since confirmed one half of a USB 3 port can be used with a normal Micro USB cable, so it is possible to use the cable supplied with the charger to connect to the G9 and charge or power it. Of course the 6K Post Focus mode already has a video file that contains multiple images where the focus has been adjusted slightly, so the data required for stacking is ready to be redeployed. In practice this rapid focus hunting makes for a slightly odd view with a mild wobbling or fluttering appearance that’s unlike rival phase-detect AF systems in operation; the G9 is literally checking the focus for every shot. In addition you can tap your way through the super-imposed Q-Menu or navigate throughout the entire paged menu system by touch. But if you want a really shallow depth-of-field, I’d recommend going for a prime at f1.8 or faster still. The Micro Four Thirds mount gives the Lumix G9 access to the broadest and most established native lens catalogue of all the mirrorless camera systems, with multiple options available at every focal length. At 20fps, those 50 frames represent two and a half seconds of action, while at 60fps, you’ll burn through them in just 0.8 seconds. Ergonomics Speed High Resolution Image Stabilization Video Conclusion. Therefore, when Panasonic launched their new Panasonic Lumix DC-G9 recently, it seemed like they were targeting the photography crowd, considering the very similar photography specific features the G9 has in comparison to the E-M1 Mark II. Considering I’d normally need over 1/400 to handhold 400mm equivalent without shake, being able to do this at 1/15 represents around five stops of compensation. The GH-series has long held a positive reputation with pro-video … Yes, you read that right: charge and power, the latter something that I’ve previously only seen on Sony cameras. Here’s an example which I took with the G9 in Pre-Burst mode using the Olympus 75mm f1.8 lens; I’ve saved three consecutive frames from the sequence. It’s also used in the high res composite mode, meaning it too inherits a one second longest exposure. (including batteries). Photos and video can be set to record to the camera’s SD card and or the computer’s memory, although in the case of video, the file is copied to the computer after the recording’s finished – and you’re prompted to see if this is really what you want. 1080p video is available at 25 to 60p, with 25 and 30p at 20Mbit/s, and 50 and 60p at 28Mbit/s. All were taken at 200 ISO with the same ND filters and with long exposure noise reduction disabled. The Panasonic Lumix G9 has a DSLR-like design. The G9 … Note it’s possible to adjust the viewfinder refresh rate between 60 and 120fps and while the latter is preferred when panning, the display resolution on my sample reduced a little; as such I tended to leave the G9 viewfinder at 60fps. So how does it add up in real-life? The Lumix G9’s lockable exposure dial offers the usual PASM modes, along with Creative Movie mode (unlocking all the video options), three Custom banks, Creative (with the choice of 22 effects) and the foolproof Intelligent Auto. The Lumix G9 is Panasonic's new flagship mirrorless camera, sitting alongside the Lumix GH5 in the range. Once connected, you’re presented with a control panel that provides access to the shutter speed and aperture (so long as the camera’s mode dial is set to a mode that allows adjustments), white balance, ISO, exposure compensation, image resolution, RAW / JPEG mode, AF mode, Photo Style, metering mode and white balance adjust. Finally for this section, the G9 is equipped with in-camera RAW Processing in playback. For action shooters, the feed is blackout-free when using the camera's burst shooting mode, while there’s also a night mode, plus an AF Point Scope integrated into the viewfinder design. The great thing about the SH modes is they record images at the full 20 Megapixel resolution, in RAW if desired, and with the camera’s full focusing speed. Panasonic G9 vs S5. Again there’s no audio captured in the High Speed Video modes, and focusing becomes manual only too. Eagle-eyed Lumix spotters will note there’s no Scene presets on the G9’s mode dial, which means it also lacks the in-camera panoramas of lower models in the range. Like the 6K Photo modes, it then lets you export it as an 18 Megapixel JPEG. Note for this to work, you’ll need to have some charge in the camera’s battery as well as having ‘USB Power Supply’ enabled in the menus. The Panasonic Lumix DC-G9 is the brand's highest-end stills-oriented camera, sitting beside the video-oriented Lumix DC-GH5at the top of the product lineup. With stabilisation disabled, I needed a shutter speed of 1/160 to successfully handhold it without camera shake, but with the body-based stabilisation enabled, I achieved a similar result at 1/5. It’s also possible to customize the on-screen Q.Menu for quick access to your most common settings, as well as setting up a customized My menu page. Above: Lumix G9 6K Post Focus: Range Merged from near to far. Liked: Excellent spec sheet Superb value for money Disliked: Some may expect more than 20MP If the camera’s powering-up up from cold it takes roughly ten seconds for the Bluetooth to re-establish itself with your phone (after which a blue light illuminates on the top right surface), then another 15 seconds or so for the positional information to come through, indicated by a solid GPS icon on the screen and in the viewfinder. The buffer’s huge too: when set to Single AF / High speed burst, I fired-off 514 JPEGs in in 49.43 seconds for a rate of 10.4fps and the camera seemed happy to continue. But for most of us, the G9 remains a very respectable choice for movie recording with enough features and quality to keep all but the most demanding videographers satisfied. Once selected, the camera generates an 18 Megapixel JPEG with the desired depth-of-field. You can autofocus while filming, using the touchscreen to pull-focus if desired, or switch to manual focus with peaking assistance (before or during filming) with High or Low settings and the choice of five colours. Whether it’s Fisheye, ultra wide, fast aperture, macro, super-zoom or good old general-purpose, the Micro Four Thirds catalogue has it covered, and many of them are great quality too – find out more in my Micro Four Thirds lens guide. A shutter of 1/15 represents three stops, and 1/8 represents four stops, so a respectable result for the G9 when working with a Dual IS compatible lens, although interestingly not quite as good as when I tested the GH5. There was a problem. The Panasonic Lumix DC-G9 is a speed-oriented Micro Four Thirds camera. You will receive a verification email shortly. Once complete you simply tap the part of the image you’d like in-focus and it ‘magically’ becomes sharp – it’s a great party trick to impress your friends, although of course all you’re doing is using a clever media player to navigate a short video where the focus racked over the subjects from near to far. The Panasonic Lumix G9 employs a Micro Four Thirds sensor and lens mount which, like all Lumix G models before it (along with all Olympus PEN and OMD cameras), results in a field reduction of two times relative to full-frame systems. Like all Lumix G bodies to date, the G9 is based on the Micro Four Thirds standard co-developed by Panasonic and Olympus, allowing it to access the largest selection of native mirrorless lenses on the market. If the camera’s focusing mode is set to Manual, you can remotely focus the lens with a choice of increments, as well as magnifying a small portion from three to six times with additional focus peaking for assistance. When fitted with a fast UHS-II card, the G9 took around 18 seconds to complete writing the burst of 82 RAW frames (although some were written during the capture process too). You can configure these for Relay recording (where slot 2 takes over as soon as the card in slot one fills up), Backup (where the same data is recorded to both cards), and Allocation recording where you can configure the camera to save JPEGs, RAW files, movies or 6k/4k Photo files to whichever slot you want. Switch to EFC and the G9 employs an electronic first curtain to start the exposure and a mechanical shutter to end it; it’s a tad quieter and avoids the risk of shutter shock at certain speeds, but limits the fastest shutter speed to 1/2000. If you’re into video, you’ll be pleased to hear the G9 battery lasted almost two and a half hours in my tests, capturing four consecutive half hour 4k / 24p clips, followed by one lasting 22 minutes before expiring. This lens, like most Lumix kit zooms, includes optical image stabilisation, but also supports Dual IS which means it can work alongside the built-in stabilisation of the body to deliver superior results. The arrival of the Lumix G9, then, is designed to rectify this situation. In the video below Doug and I discuss the video and image quality of the G9 and give the camera a verdict. I should however add the results at 1/30, 1/15 and even 1/8 were pretty good, just not completely sharp. The Image App also offers a Bluetooth Shutter Remote Control that presents a simple button for triggering the shutter remotely; the benefit of doing it over Bluetooth is it’s more responsive than Wifi and doesn’t require the camera and phone to go through the Wifi connection process. Connect a suitable USB source, be it the supplied AC adapter, a portable battery or a laptop port (I tried all three), and you can charge the battery in-camera. Above: Leica 200mm plus 1.4x teleconverter at 560mm equivalent and 1/60. Above left: Impressive Art effect. Introduction and key features. Depending on the mode and AF, the buffer will be full in just two and a half or 0.8 seconds, and you’ll only capture a quarter of a second prior to pushing the shutter button down. There’s plenty of customization with three dedicated function buttons on the rear, two more on the front, five soft keys on-screen, and the chance to reconfigure the tilting function of the rear wheel and the AF joystick; indeed 19 in all, and it’s also possible to assign different functions to four of them during playback. It’s unexpectedly substantial in your hands, which gives you a good grip, especially with … What makes the G9 special compared to the GH5 is the ability to shoot with the electronic shutter at even faster speeds while maintaining continuous AF if desired. In this article, I explore the stills shooting capabilities of the Panasonic G9. I’ll start this review with a video overview of the camera to whet your appetite, followed by four deeper dives, all backed-up by my usual written review, tests and sample images! Receive news and offers from our other brands? With this being said, the G9 is not much smaller or … Sadly you can’t apply any of the Creative Filter effects after the event, but you can still have fun with the Photo Styles and it’s a useful capability. Auto ISO is available with the option to set an upper and lower limit, along with a minimum shutter speed down to one second. If you’re filming 4k at 24, 25 or 30p, audio is encoded with AAC and the total bit rate is 100Mbit/s; if you’re filming 4k at 50 or 60p, audio is encoded with LPCM and the total bit rate is 150Mbit/s. High Speed Video is also available in 4k at 48, 50 or 60p, again interpreted to 30p for up to two-times slow-down. The newly-designed weatherproof body (with a red ring between the mode and drive dials to indicate the flagship status) features a fully articulated touchscreen, AF joystick, twin SD card slots (both exploiting UHS-II speed), a USB-3 port exploited by supplied tethering software (the port can also be used for charging as well as providing power), a full-size HDMI port, along with microphone, headphone and PC Sync ports. The G9 is equipped with dual SD slots, which both claim to support the full speed of UHS-II cards, but I never take anything for granted so repeated my tests with the card in Slot-2. There’s also 3.5mm jacks for an external microphone and headphones. I’ve presented 100% crops from both versions shot at 1/8 below for comparison. On the upside you can start and stop a Bulb exposure remotely using the smartphone app. Note it’s also possible to apply some of the effects to movies which are then encoded at the selected video size up to 1080 / 50p / 60p. Of course the earlier GH5 could also shoot at 9fps with continuous AF using its mechanical shutter. The 6K Photo mode is great for capturing the perfect moment when faced with fast action, but it’s also surprisingly useful for portraits, especially of kids, where an expression can change between frames. The Panasonic Lumix G9 employs a Micro Four Thirds sensor and lens mount which, like all Lumix G models before it (along with all Olympus PEN and OMD cameras), results in a field reduction of two … Above: Download the original file (Registered members of Vimeo only). At first I found the shutter release was far too sensitive, accidentally taking shots as I tried to find the halfway position, but after a few days I got used to it and found it second nature – although hand it over to another photographer and they’ll almost certainly shoot-off a bunch of images without meaning to. The viewfinder head features a defined ridge splitting it into two distinct surfaces, giving it a more angular appearance than the GH5’s smooth top. Another button enters Live View mode, presenting a live image of what the camera can see. In use the Touchpad option did at least feel very responsive unlike the often sluggish performance of rivals, although I did miss the option of other cameras to reduce the active area of the screen to minimise accidental taps by your nose. Suffice it to say you can swipe through images in playback, pinch-to-zoom and also select the plane of sharpness in the 4k / 6k Post Focus modes. So if you press the button as soon as the action has just happened, you should have a frame that includes some part of it from a moment earlier. In my tests the live image wasn’t as high resolution as some other tethering solutions I’ve tried, but it was certainly responsive over a USB 3 connection, updating smoothly in real-time with no visible delay. 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