the blues man song wikipedia

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As the recording industry grew, country blues performers like Bo Carter, Jimmie Rodgers (country singer), Blind Lemon Jefferson, Lonnie Johnson, Tampa Red and Blind Blake became more popular in the African American community. English 6 … B. However, beginning in the 1990s, digital multitrack recording and other technological advances and new marketing strategies including video clip production increased costs, challenging the spontaneity and improvisation that are an important component of blues music. By the 1800s in the United States, the term blues was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday. View by: Highest Rated; Most Recent; Oldest First; 0. Howlin' Wolf, Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. They are now lost. Wikipedia Aliases: Dobby Bragg , Easy Papa Johnson , St. Louis Johnny , The Blues Man (2) , The Honey Dripper , Willie Kelly [65] Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. During the early 1950s, the dominating Chicago labels were challenged by Sam Phillips' Sun Records company in Memphis, which recorded B. King, Buddy Guy, Gary Clark Jr., Jeff Beck, Derek Trucks, Keb Mo, and others. [56] The banjo seems to be directly imported from West African music. Habits Old and New was Williams' third full-length album in a fourteen-month span, following Family Tradition and Whiskey Bent and Hell Bound that were released in April and November 1979. Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. The lyrics of early traditional blues verses probably often consisted of a single line repeated four times. King and Howlin' Wolf before he moved to Chicago in 1960. The first publication of blues sheet music may have been "I Got the Blues", published by New Orleans musician Antonio Maggio in 1908 and described as "the earliest published composition known to link the condition of having the blues to the musical form that would become popularly known as 'the blues.'" [123][124], The blues' 12-bar structure and the blues scale was a major influence on rock and roll music. This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the blues shuffle, which became ubiquitous in rhythm and blues (R&B). Several record companies, such as the American Record Corporation, Okeh Records, and Paramount Records, began to record African-American music. A month later, his father made his Grand Ole Opry debut, singing “Lovesick Blues” and drawing six encores. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. coffee each morning with Guy as he currently does a free Facebook live stream on Sunday through Friday each week at 10 AM Eastern time.. Price includes free shipping, US customers only, sorry. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi, and Gate Thomas reported similar songs in southern Texas around 1901–1902. A well-known big band blues tune is Glenn Miller's "In the Mood". King, Bo Diddley, Erykah Badu, Eric Clapton, Steve Winwood, Charlie Musselwhite, Blues Traveler, Jimmie Vaughan, and Jeff Baxter. Memphis Minnie was famous for her virtuoso guitar style. Perhaps the most visible example of the blues style of music in the late 20th century came in 1980, when Dan Aykroyd and John Belushi released the film The Blues Brothers. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Z. Hill's Down Home Blues (1982) and Little Milton's The Blues is Alright (1984). [127] Jimmie Rodgers, Moon Mullican, Bob Wills, Bill Monroe and Hank Williams have all described themselves as blues singers and their music has a blues feel that is different, at first glance at least, from the later country pop of artists like Eddy Arnold. ; Godrich, John (1970). The Billboard Blues Album chart provides an overview of current blues hits. Paul Nelson is an American modern blues/rock guitarist, producer, and songwriter. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called "AAB" pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. White audiences' interest in the blues during the 1960s increased due to the Chicago-based Paul Butterfield Blues Band featuring guitarist Michael Bloomfield, and the British blues movement. I said, backwater rising, Southern peoples can't make no time But the origins of the blues were some decades earlier, probably around 1890. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. Lynn Abbott and Doug Seroff, ""They Cert'ly Sound Good to Me": Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues", "Music: Exploring Native American Influence on the Blues", "African-American Music from the Mississippi Hill Country: "They Say Drums Was a-Calling, "Malaco Records to be honored with blues trail marker", "Blues in the Lower Chattahoochee Valley", Blues Fell This Morning: Meaning in the Blues, The American Folklife Center's Online Collections and Presentations, The Blue Shoe Project – Nationwide (U.S.) Blues Education Programming, https://en.wikipedia.org/w/index.php?title=Blues&oldid=991735482, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. [61], The musical forms and styles that are now considered the blues as well as modern country music arose in the same regions of the southern United States during the 19th century. Early country bluesmen such as Skip James, Charley Patton, Georgia Tom Dorsey played country and urban blues and had influences from spiritual singing. B. Lenoir, but the saxophone was used as a backing instrument for rhythmic support more than as a lead instrument. King, also straddled the blues and R&B genres. Jump blues grew up from the boogie woogie wave and was strongly influenced by big band music. Usually jazz had harmonic structures stemming from brass bands, whereas blues had blues forms such as the 12-bar blues. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. Morales, p. 276. Blues became a code word for a record designed to sell to black listeners. Performers such as Frank Stokes, Sleepy John Estes, Robert Wilkins, Joe McCoy, Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard, fiddle, kazoo or mandolin. The 12-bar blues structure can be found even in novelty pop songs, such as Bob Dylan's "Obviously Five Believers" and Esther and Abi Ofarim's "Cinderella Rockefella". Smaller blues labels of this era included Vee-Jay Records and J.O.B. and the whole world let them peoples go down there free. [104], By the beginning of the 1960s, genres influenced by African American music such as rock and roll and soul were part of mainstream popular music. Mamie Smith, more a vaudeville performer than a blues artist, was the first African American to record a blues song in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month. [21] Reverend Gary Davis[22] and Blind Willie Johnson[23] are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. Recorded blues and country music can be found as far back as the 1920s, when the record industry created the marketing categories "race music" and "hillbilly music" to sell music by blacks for blacks and by whites for whites, respectively. The British and blues musicians of the early 1960s inspired a number of American blues rock fusion performers, including the Doors, Canned Heat, the early Jefferson Airplane, Janis Joplin, Johnny Winter, The J. Geils Band, Ry Cooder, and the Allman Brothers Band. For instance Blind Lemon Jefferson's "Rising High Water Blues" (1927) tells of the Great Mississippi Flood of 1927: Backwater rising, Southern peoples can't make no time But my name's a reminder, Of a blues man that's already gone. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. The band formed also began a successful tour under the Blues Brothers marquee. Habits Old and New is the thirty-first studio album by country music artist Hank Williams Jr. and was released under Elektra Records/Curb Records in June 1980. Handy, who first heard the blues in Tutwiler, Mississippi, in 1903. Handy.[66]. Eric Clapton, known for his performances with the Blues Breakers and Cream, made a comeback in the 1990s with his album Unplugged, in which he played some standard blues numbers on acoustic guitar. B. They come from different eras and include styles such as ragtime-vaudeville, Delta and country blues, and urban styles from Chicago and the West Coast. Regional styles of country blues varied widely in the early 20th century. [6][7], In lyrics the phrase is often used to describe a depressed mood. Edwards was born in Shaw, Mississippi, United States.He was friends with Robert Johnson, and was with him when he died.. Later career. [19] However, the Christian influence was far more obvious. Alan Jackson also made a remake of the song and was released in Oct 10, 1999. In 1963, LeRoi Jones, later known as Amiri Baraka, was the first to write a book on the social history of the blues in Blues People: The Negro Music in White America. He composed and wrote many standard blues songs of the period, such as "Hoochie Coochie Man", "I Just Want to Make Love to You" (both penned for Muddy Waters) and, "Wang Dang Doodle" and "Back Door Man" for Howlin' Wolf. Georgia also had an early slide tradition,[71] with Curley Weaver, Tampa Red, "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. General CommentThis is an autobiographical tune. Randall Hank Williams was born in Shreveport, Louisiana on May 26, 1949. He asked several famous directors such as Clint Eastwood and Wim Wenders to participate in a series of documentary films for PBS called The Blues. [43] The first appearance of the blues is usually dated after the Emancipation Act of 1863,[34] between 1860s and 1890s,[2] a period that coincides with post-emancipation and later, the establishment of juke joints as places where blacks went to listen to music, dance, or gamble after a hard day's work. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Little Walter, Sonny Boy Williamson (Rice Miller) and Sonny Terry are well known harmonica (called "harp" by blues musicians) players of the early Chicago blues scene. Ted Horowitz (born March 31, 1960, The Bronx, New York City, United States), who plays under the stage name of Popa Chubby (a play on the slang idiom "pop a chubby", meaning to get an erection), is an American electric blues singer, songwriter, and guitarist. George Jones made a remake of the song and was released in Sept. 13, 2005. 1998 brought a sequel, Blues Brothers 2000 that, while not holding as great a critical and financial success, featured a much larger number of blues artists, such as B.B. These observations coincide more or less with the recollections of Jelly Roll Morton, who said he first heard blues music in New Orleans in 1902; Ma Rainey, who remembered first hearing the blues in the same year in Missouri; and W.C. Welding, Peter; Brown, Toby, eds. [82] Dallas-born T-Bone Walker, who is often associated with the California blues style,[83] performed a successful transition from the early urban blues à la Lonnie Johnson and Leroy Carr to the jump blues style and dominated the blues-jazz scene at Los Angeles during the 1940s. "Hound Dog", with its unmodified 12-bar structure (in both harmony and lyrics) and a melody centered on flatted third of the tonic (and flatted seventh of the subdominant), is a blues song transformed into a rock and roll song. [10] Two of the first published blues songs, "Dallas Blues" (1912) and "Saint Louis Blues" (1914), were 12-bar blues with the AAB lyric structure. In the 1960s and 1970s, gospel and blues were merged in soul blues music. [114], In the 1980s and 1990s, blues publications such as Living Blues and Blues Revue were launched, major cities began forming blues societies, outdoor blues festivals became more common, and[115] more nightclubs and venues for blues emerged. Culture expert Alan Lomax recorded Edwards in 1942 for the first time. In contrast with the West Side blues, the Texas style is strongly influenced by the British rock-blues movement. Another development in this period was big band blues. Often termed "soul blues" or "Southern soul", the music at the heart of this movement was given new life by the unexpected success of two particular recordings on the Jackson-based Malaco label:[113] Z. However, the blues wave that brought artists such as Muddy Waters to the foreground had stopped. [91] The saxophonist J. T. Brown played in bands led by Elmore James and by J. In the 1950s, blues had a huge influence on mainstream American popular music. In the UK, bands emulated U.S. blues legends, and UK blues rock-based bands had an influential role throughout the 1960s.[105]. British blues is a form of music derived from American blues that originated in the late 1950s, and reached its height of mainstream popularity in the 1960s. Contemporary African-American performers who work in this style of the blues include Bobby Rush, Denise LaSalle, Sir Charles Jones, Bettye LaVette, Marvin Sease, Peggy Scott-Adams, Mel Waiters, Clarence Carter, Dr. "Feelgood" Potts, O.B. [20], Depending on the religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. [60] The style also was closely related to ragtime, which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". In the 1950s, soul music by Sam Cooke, Ray Charles and James Brown used gospel and blues music elements. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. African-American singers voiced his or her "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, [and] hard times". George Jones has this out now, and though it's not as good as Hank's version, I think it fits him pretty well too. One blues rock performer, Jimi Hendrix, was a rarity in his field at the time: a black man who played psychedelic rock. In contrast to the Chicago style, King's band used strong brass support from a saxophone, trumpet, and trombone, instead of using slide guitar or harp. And I can't get no hearing from that Memphis girl of mine, Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy:[15], Rebecca, Rebecca, get your big legs off of me, The new migrants constituted a new market for the music industry. Pianist Memphis Slim began his career in Memphis, but his distinct style was smoother and had some swing elements. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blues guitarist and vocalist Keb' Mo' performed his blues rendition of "America, the Beautiful" in 2006 to close out the final season of the television series The West Wing. [64], The origins of the blues are closely related to the religious music of Afro-American community, the spirituals. "Immigrant, Folk, and Regional Music in the Twentieth Century". This rapidly evolving market was mirrored by Billboard magazine's Rhythm and Blues chart. [54] However the call-and-response format can be traced back to the music of Africa. In the early 1970s, the Texas rock-blues style emerged, which used guitars in both solo and rhythm roles. Bebop marked a major shift in the role of jazz, from a popular style of music for dancing, to a "high-art", less-accessible, cerebral "musician's music". Jump blues tunes by Louis Jordan and Big Joe Turner, based in Kansas City, Missouri, influenced the development of later styles such as rock and roll and rhythm and blues. Zydeco musicians used electric solo guitar and cajun arrangements of blues standards. The music of the civil rights movement[107] and Free Speech Movement in the U.S. prompted a resurgence of interest in American roots music and early African American music. Habits Old and New would eventually be certified Gold by the RIAA, making it his fourth career Gold album and his third consecutive Gold while signed with Curb. His album Alabama Blues contained a song with the following lyric: I never will go back to Alabama, that is not the place for me (2x) I was alone in the hot lights Not too much left inside. An important label of this era was the Chicago-based Bluebird Records. Hart Wand's "Dallas Blues" was published in 1912; W.C. It was released as a single after Hank, Sr.'s death in January 1953 and spent fourteen weeks at number 1 on the Billboard country singles chart. In the 1920s, the blues became a major element of African American and American popular music, reaching white audiences via Handy's arrangements and the classic female blues performers. The blues form is a cyclic musical form in which a repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music. As well festivals such as the Newport Folk Festival[108] brought traditional blues to a new audience, which helped to revive interest in prewar acoustic blues and performers such as Son House, Mississippi John Hurt, Skip James, and Reverend Gary Davis. NEW! You know they killed my sister and my brother The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. Like jazz, rock and roll, heavy metal music, hip hop music, reggae, rap, country music, and pop music, blues has been accused of being the "devil's music" and of inciting violence and other poor behavior. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. His style of music was not exactly rockabilly but it has been often called real rock and roll (this is a label he shares with several African American rock and roll performers).[125][126]. B. However, the jump blues of the 1940s mixed both styles. [48], Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Handy was the first to popularize blues-influenced music among non-black Americans. After WWII, blues had a substantial influence on jazz. The first recording by an African American singer was Mamie Smith's 1920 rendition of Perry Bradford's "Crazy Blues". "Why Is the Blues Called the 'Blues'? [55], The Diddley bow (a homemade one-stringed instrument found in parts of the American South in the early twentieth century) and the banjo are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. Sem dúvida é o mais importante compositor da segunda geração do blues . [41][42], The social and economic reasons for the appearance of the blues are not fully known. Their style is characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. John Lee Hooker (August 22, 1917 – June 21, 2001) was an American blues singer, guitarist, and songwriter born in Coahoma County near Clarksdale, Mississippi The Blues Man Lyrics: He's just a singer / A natural born guitar ringer / Kind of a clinger / To sad ol' songs / He's not a walk be-hinder / He's a new note finder / His name's a reminder / Of a blues His first hit, "Boogie Chillen", reached number 1 on the R&B charts in 1949. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that the songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs.[9]. [47] A form of this pre-blues was heard in slave ring shouts and field hollers, expanded into "simple solo songs laden with emotional content". '"[32] Hart Wand's "Dallas Blues" was published in 1912; W.C. [58] However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later Gus Cannon. Dick Waterman and the blues festivals he organized in Europe played a major role in propagating blues music abroad. A lot of the 1970s-era "outlaw" country music by Willie Nelson and Waylon Jennings also borrowed from the blues. The lyrics often relate troubles experienced within African American society. Wikipedia The Free Encyclopedia. Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did. Rebecca, Rebecca, get your big legs off of me, There are also 16-bar blues, such as Ray Charles's instrumental "Sweet 16 Bars" and Herbie Hancock's "Watermelon Man". It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. The Blues Man song meanings Add your thoughts 1 Comment. Singers such as Blind Willie McTell and Blind Boy Fuller performed in the southeastern "delicate and lyrical" Piedmont blues tradition, which used an elaborate ragtime-based fingerpicking guitar technique. Early country music was infused with the blues. It was also his fifth album on the Elektra/Curb label. Idiosyncratic numbers of bars are occasionally used, such as the 9-bar progression in "Sitting on Top of the World", by Walter Vinson. Alan Jackson performs "The Blues Man" at the Farm Aid concert in Bristow, Virginia on September 17, 2000. The audience for both blues and jazz split, and the border between blues and jazz became more defined. [92] After Phillips discovered Elvis Presley in 1954, the Sun label turned to the rapidly expanding white audience and started recording mostly rock 'n' roll.[93]. Handy wrote that he adopted this convention to avoid the monotony of lines repeated three times. Bohlman, Philip V. (1999). Electric blues used electric guitars, double bass (gradually replaced by bass guitar), drums, and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier. [116], In the 1990s, the largely ignored hill country blues gained minor recognition in both blues and alternative rock music circles with northern Mississippi artists R. L. Burnside and Junior Kimbrough. [24] With the popularity of early performers, such as Bessie Smith, use of the twelve-bar blues spread across the music industry during the 1920s and 30s. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. [62][63], Though musicologists can now attempt to define the blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the Mississippi Delta. In 1986 the album Strong Persuader announced Robert Cray as a major blues artist. Alan Jackson é um cantor de música country norte-americano. Chicago blues also influenced Louisiana's zydeco music,[95] with Clifton Chenier[96] using blues accents. ", "The Evolution of the 12-Bar Blues Progression", "A Jazz Improvisation Almanac, Outside Shore Music Online School". Hank Williams Jr. is the original writer of "Blues Man" he also preformed it and his song released Jan. 1, 1980. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". To sad old songs. [73][74], City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic. While popular musicians like Bo Diddley[88] and Chuck Berry,[94] both recording for Chess, were influenced by the Chicago blues, their enthusiastic playing styles departed from the melancholy aspects of blues. Life and career Early life. When Jerry Lee Lewis returned to country after the decline of 1950s style rock and roll, he sang his country with a blues feel and often included blues standards on his albums. The song appeared on the show's soundtrack, released in 2005. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. The writer Ed Morales claimed that Yoruba mythology played a part in early blues, citing Robert Johnson's "Cross Road Blues" as a "thinly veiled reference to Eleggua, the orisha in charge of the crossroads". For other uses, see. This commercial stream had important consequences for blues music, which, together with jazz and gospel music, became a component of R&B.[85]. The "Trésor de la Langue Française informatisé" provides this etymology of. [77], In 1920 the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues",[78] and Victoria Spivey, sometimes called Queen Victoria or Za Zu Girl, had a recording career that began in 1926 and spanned forty years. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio (Albert Ammons, Pete Johnson and Meade Lux Lewis). Sing Great Country Favorites, Hank Williams Jr.'s Greatest Hits, Vol. His songs, originally distributed only in Europe,[109] commented on political issues such as racism or Vietnam War issues, which was unusual for this period. R&B music can be traced back to spirituals and blues. The first appearance of the blues is often dated to after the ending of slavery and, later, the development of juke joints. 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