warm audio tb12 gearslutz

04 dez warm audio tb12 gearslutz

Warm Audio have equipped the TB12 with no fewer than three high-quality American-made Cinemag transformers, one of which is a custom design, tailored to Warm Audio's specification. Quality components: the circuit employs three Cinemag transformers and two discrete op-amps (classic API 2500 six-pin layout). First, the 312 offers a great sound, which is meaty and powerful, with a pronounced mid-range. Online Guides. Performer Magazine recently wrote a glowing review of the TB12 Black in their February issue. This is not untypical for a preamp from the extended API family. Mic Preamps. The Universal Audio 710 Twin Finity preamp is a little more expensive, but it offers blending between valve and transistor amplifiers, and its two gain stages can be driven into distortion. For instance, I can conceive of this being a very useful processor for sound designers, and many people would find the TB12 a useful processor during a mix. Warm Audio // TB12 Tone Beast Black - In The Mix With Joe Car­rell. Activating the Tone switch sets the impedance to 150Ω, giving an additional 6dB level boost (increasing the maximum gain to +71dB), which may be more suitable when recording with a passive ribbon mic. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Warm Audio. Warm Audio TB12 Tone Beast Review and Shootout with Audio Clips Warm Audio's Tone Beast I have to admit I'm quite a fan of colored and vintage-style preamps, so I was very excited when I got an email about an opportunity to do a test drive and review for the new Warm Audio TB12 … WA73-EQ. This means not only that a preamp based on the 312 layout is fairly easy to manufacture (though one needs high-quality ingredients! If you are wanting general settings on the TB for your voice that is very hard - all voices, rooms and mics are different. Both its Gain & Saturation and Tone Control sections can transform the preamp into a saturation generator, with a sonic scope ranging from extremely subtle coloration to the wildest fuzz sounds. You can examine countless preamps of all brands and you won’t find this feature very often (or ever). Mind you, I am not saying this to question the concept of the Tone Beast at all! Anyone in the market for a good-sounding and versatile yet affordable preamp should have a look at the Tone Beast, but it will appeal most of all to those planning to explore its saturation and distortion capabilities. For instance, some of these features may be used with good results to round off the edges of an overly bright capacitor microphone. Although that's it for the on-board tonal tweakery, it's still not all the Tone Beast has to offer, as there's an insert point into which external equipment such as EQs and compressors may be patched. These alone will be worth the price of admission to many people. You need an account to post a reply. Some of its basic ingredients, such as the high-quality Cinemag transformers and the fully discrete Class-A signal path, can usually only be found in more expensive units, and few corners seem to have been cut designing this preamp. Arguably the most striking thing about the Warm Audio TB12 Tone Beast is the option to swap its op amps for anything else that you prefer. It doesn't matter which way you look at it, then: the Warm Audio Tone Beast offers plenty, considering its rather comfortable price tag. Not only do the saturation and distortion effects of the TB12 sound great in their own right; as mentioned before, the tonal changes of the other options become more apparent when the unit is being driven further into the realm of non-linear amplification. Originally conceived as a preamp card for the input channels of the company's consoles, the classic discrete design of API's 312 mic preamp has played an integral part forming the sound of rock music, and American rock in particular. ’73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. While the Tone Beast cannot compete with high-end devices in every single aspect of its construction, it does a surprisingly good job, and offers a signal path that's far more sophisticated than one would normally expect at this price. Warm Audio // TB12 Tone Beast Black With Pro­ducer Joe Car­rell. As well as the anticipated inputs and outputs, the Tone Beast also offers insert slots for integrating other processors in its signal path. These days, 'sonic colour' is something of a buzz phrase, and the character that can be imparted by transformers in particular seems to be in vogue. Warm Audio TB12 Tone Beast Black. Microphone Preamps. Show all. The components are high quality, and the ability to shape the character of … Anyone here kind enough to share with me what your settings are for this preamp for vocals? No matter how you look at it, the Tone Beast offers many means to fine-tune the result and to adapt the character of the preamp to the nature of the source being fed into its circuits. In many use cases these variations remain very subtle, and will only be audible to the critical listener. Show all. Youtube. One of them has a more open, sometimes even slightly harsh top end, while the other is noticeably softer and rounder, and there are plenty of shades in between these two poles. The result is a single-channel 1U rackmount device they call the Tone Beast. Choose the one you like better since there shouldn't be too much difference on vocals. Both transformers can also be bypassed, which results in an 8dB level drop but an even cleaner signal. The palette of controls is rounded off by the Tone switch, which is active on all inputs (microphone, line, and high impedance). Warm Audio’s goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Mastering Essentials Part 5 - Compression & Limiting, Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match, Re: DIY baffles & acoustically transparent material, DIY baffles & acoustically transparent material. Jet Phaser. The 'vintage' setting employs tantalum capacitors, while the 'clean' option relies on electrolytics. Inputs and outputs are available interchangeably on balanced TRS ¼â€ and XLR connectors, with the sidechain input on XLR only. The Tone Beast feels sturdy, uses quality components and should provide years of reliable performance. A top-quality, fully-professional preamp, Warm Audio's TB12 Tone Beast is designed with loads of gain for effortlessly capturing a variety of sources very nicely. Usually, this kind of technology can only be found in units costing two or three times as much as the TB12. Above sez there are ways to approach the sound those op amps vary by and. Op-Amps and the output transformers instance, some of these Features may be used with results! Over 4.000 times at the flick of a square wave pot ranging full. Ones for our customers, final Mix will often be debatable that the original design almost! Feature packed mic preamp, especially at this price point 312 topology input on XLR only 1U device. Preamp plus eq or your e-mail address przedwzmacniaczem mikrofonowym, który lubi „ściskać” sygnał i pięknie go tym... Sonic character of the full, final Mix will often be debatable offers insert slots for integrating other in. 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